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What we shoot

Video, shot on the same day, while the lights are already up.

Video placements are where the cheap reach is on every platform right now, and most local businesses do not have a single usable clip. The good news is that the expensive part of video is the setup, and if you are already shooting stills the setup is paid for.

Gatorade, Edwin Vargas, commercial photography by Allen Velasquez
Movistar, commercial photography by Allen Velasquez
Copa America, commercial photography by Allen Velasquez

What is actually worth shooting

Small businesses tend to imagine video as a two minute brand film with music and a voiceover. Those have their place, and they are almost never the thing that earns anything. Here is what does.

Short vertical clips, six to fifteen seconds

The pour. The cheese pull. The hands doing the work. The door opening at six in the morning. No script, no voiceover, no talking to camera. These are the workhorses, they run on Reels, Stories, Shorts and TikTok, and they are the cheapest video reach available.

The interview, cut into pieces

Twenty minutes of you answering real customer questions on camera becomes fifteen separate clips, each one answering one question. That is a month of content and it doubles as the most trust-building thing on your website, because people buy from a face.

One proper brand film

Sixty to ninety seconds, for the homepage and the top of a funnel. Worth doing once, worth doing well, and not worth redoing every year.

The clip shot on a phone in the kitchen frequently beats the polished film. Not always. But often enough that spending everything on the film is a mistake.

The economics

Why it belongs on the stills day

Booked separatelyOn the stills day
Setup and lightingPaid twicePaid once
Your spaceDisrupted twiceDisrupted once
Your teamPulled off the floor twiceOnce
Styling and product prepDone twiceOnce
Look and feelTwo shoots, two moodsOne consistent set
Extra costA second full bookingAdditional time, not a second day

This is the single most practical piece of advice on this whole site regarding video. If you are booking photography and not capturing motion at the same time, you are paying for the hard part twice.

Getting it right

The things that make video usable rather than just filmed

  • Shot vertical first, because that is where the reach is, and cropped to landscape afterwards rather than the other way round
  • Captions burned in, since most social video is watched with the sound off
  • The first second doing actual work, because that is where people decide to keep watching
  • Filmed at a higher frame rate so it can be slowed down without looking broken
  • Clean audio wherever anyone speaks, which is a separate microphone and not the camera
  • Delivered as short cuts as well as a long edit, so there is something to post on Tuesday

On set

Not every job is a national campaign.

These are the last three shoots: a tool shop, a restaurant kitchen and an interview in a designer's own office. Lights, stands and a field monitor, in somebody's actual place of business. Nothing here is stock footage of a film crew.

Interview setup on location: camera on the subject, field monitor alongside.
Filming a chef plating, tethered to a field monitor.
Product day on location: boom softbox over the counter.

Behind the scenes with Allen Velasquez, on location for DV8 Web clients.

The one most businesses need first

If you only shoot one thing, shoot the interview

For a realtor, a designer, a contractor or anyone selling their own judgement, video of you answering real questions outperforms everything else we make. It is also the cheapest to produce and the longest to stay useful.

Interview and testimonial video →

Common questions

Video, answered

Do we have to be on camera?

No. Plenty of the best small business video has no faces in it at all, just hands, product and process. That said, if you are comfortable on camera it is the strongest asset you own, because people buy from people and a local business owner talking plainly outperforms almost anything produced.

Is a phone good enough?

For a lot of social clips, honestly yes, and we would rather you posted phone video consistently than posted nothing while waiting for a production. Where a phone loses is anything involving controlled lighting, low light, or a product that has to look better than expected.

How long should a brand film be?

Sixty to ninety seconds for the website. Anything longer and the watch-through collapses. If you have three minutes of material, that is three separate films, not one.

Do you handle the editing?

Yes. Editing is most of the work in video and it is where an unedited pile of footage goes to die in a folder. You get the finished cuts, sized for the places they are going.

Next step

Let us look at what you have got.

Send over your website, your Google profile, whatever photography you already own. We will tell you straight what is worth keeping, what is costing you, and whether you need a shoot at all. No charge and no pitch attached to it.